Skip to main content

What Exactly is a "Non-Fiction Novel?"

The term "non-fiction graphic novel" seems to contradict itself. In one sense, we hear "novel" and immediately go straight to the fantastic realm of literature where there are no limits and storytelling becomes a way to escape the real world. But then, let's throw the term "non-fiction" in there. Excuse me? A classic oxymoron. In my opinion, it is the best kind. As an avid reader, I have read everything from dystopian fiction to the most gushy romance novels. However, the books that pulled me in the most always had some sort of relatable element that really put me in the shoes of the main character. I thrive off of having something realistic to give me a better sense of what each character goes through. Non-fiction graphic novels do that for me. In stories like Maus by Art Spiegelman and A Contract with God by Will Eisner, I find myself entering an entirely new world that seems all too familiar. These graphic novels allow for the re-telling of very personal, traumatic events in a way that is fresh and brings story-telling to life. We tend to think of graphic novels as a medium for extraordinary tales of superheroes and crime fighting action. But not for these novels. Maus and A Contract with God both use the graphic novel medium in order to intensify their respective worlds in a way that places the reader in the exact time and place of these stories. The use of images to explain their backgrounds is exactly what allows for their stories to be relatable and more remarkable. It makes the reader pay attention. One thing I'd like to point out here is that both comics utilize black and white in their illustrations. In my opinion, this is done in order to commentate on the poverty in each situation and how that affected each author. As mentioned in Understanding Comics by Scott McCloud, the simplification of the design contributes to the way we perceive a story. A Contract with God does seem to use more realistic design, while Maus clearly uses animal personification to tell the story. However both use their art to grasp the reader's attention and draw them closer and closer. Each author creates a sense of familiarity between himself and his audience. All in all, I think that "non-fiction novels" are an overlooked genre. Is there a better way to connect with stories of our past than to tell them from unique, engaging perspectives?

Eisner, Will. A Contract with God. W.W. Norton & Co., 2006.
McCloud, Scott. Understanding Comics: the Invisible Art. Simon Fraser University Library, 2018.
Spiegelman, Art. Maus. Pantheon Books, 1992.

Comments

Popular posts from this blog

Is Maus a Non-Fiction Graphic Novel?

Art Spiegelman’s Maus is considered to be a non-fiction graphic novel, but is creating a graphic novel based off a true story even allowed? Maybe you thought graphic novels were meant to be fiction. Well, I think the form of a graphic novel should not be restricted to only fiction. It is known for graphic novels to be fiction rather than non-fiction because that is what a novel is, fiction, but the name shouldn’t be a limitation of what can and cannot be told though this medium. There are many reasons for why telling a non-fiction story through the form of a graphic novel is beneficial. Spiegelman was able to share the story of his father’s holocaust experience by creating a graphic novel of it, and from the looks of it, it’s been very successful. Telling a story through the form of a graphic novel allows the creator to deliver it in a unique way. We are able to understand the plot because of the language that is used along with the accompanying panels. In Maus , Spiegelman writes e...

Walking Through Fire: "Sita's Ramayana"

Ramayana stands among India's oldest epic poems, one of the two surviving stories dating as far back as the seventh century B.C. Unfortunately, its protagonist has not stood the test of time. The poem tells the story of Rama, an exiled prince whose wife, Sita, chooses to accompany him despite not facing the same punishment. When Sita is kidnapped, Rama rescues her more out of a sense of obligation than love, ultimately questioning his wife's virtue and casting her away through no fault of her own. Rama is upheld as the ideal man, husband, and king throughout his tale. Samhita Arni, the author of Sita's Ramayana , clearly thinks otherwise. Sita's Ramayana , as one might suspect, is a graphic novel retelling of the epic poem shared from Sita's point of view. The original poem leaves little room for the exploration of her character, treating her more as a blank slate meant to represent the ideal wife of the time. She merely exists to shape her husband's characte...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...