Skip to main content

Analysis of Aya: Life in Yop City

Image result for aya: life in yop city"
To begin this week's post, I'd like to first address a few things about the author's duty to his/her readers. When we think of reading material from other countries or cultures, what factors are important to us? What information do we need in order to recognize the significance of the author's work? For me, it's important for the author to find some way to connect to me as a reader. Do we share a common experience? Can I relate your story to mine? This is not to say that a writer's work is rendered unimpressive if they choose not to do this. But I do think it goes without saying that most impressionable works hit us emotionally. I also think that an author should be conscious of the world that they are painting for the reader. Is it true what you're writing? Does it provide some sort of insight into the world as you see it? Are you confirming outside opinions of your culture, or are you breaking the stereotypes that have been placed upon you? That being said, I think it is equally as important for readers to become open-minded when  immersing into literature from outside of their own personal culture. You have to be sensitive to the fact that our version of the world as we see it can be a foreign place to someone on the other side of the earth. Understand the time and place of the work your reading. Take the time to get to know the author before passing any sort of judgement.
These responsibilities shared between author and audience of essential when it comes to Aya: Life in Yop City.
This graphic novel, written by Marguerite Abouet, begins to recondition the the minds of outsiders when it comes to common misconceptions about Africa. As Americans, what do we think of when we hear the word, "Africa?" Do you think desert? Disease? Poverty? Abouet aims to educate her readers that her life is not much different than that of our own. While still staying true to the traditional colors and patterns of her culture, Abouet paints an Africa that is thriving both economically and socially. She writes of a regular girl with regular problems.
Not only does the author create a relatable story, but she also provides her reader with a multitude of resources to challenge the current "understanding" of Africa and what it has to offer. There's a map to help her readers understand the setting of the novel. She includes historical context to allow her reader the chance to have information about the time period. There's even a reference to cultural norms like coping mechanisms for mental health issues, and a look at how childbearing/childcare is handled in her region. The inclusion of these resources before she even begins her story already begins to change the narrative here. She does not want her readers coming into her story with an invalid perception of her culture. She takes control of the narrative by sharing factual information on how her country functions. This is her story, and not the world's blind, opinionated version.
I think what's important to note here is that Abouet uses a variety of ways in which to appeal to the reader's senses, on many levels. She begins with logistical information to set the stage for her story. She validates herself as a credible source of this information. She appeals to the reader's empathetic stance towards the misconceptions of her lifestyle and culture.
Aya: Life in Yop City is a powerful tool in that Abouet allows her story to be a game-changer. Throw out whatever stereotypes about Africa you had before you sit down to read this novel. I guarantee you'll have a greater respect and admiration for the continent and its people after you experience all that this graphic novel has to offer you.

Comments

Popular posts from this blog

Is Maus a Non-Fiction Graphic Novel?

Art Spiegelman’s Maus is considered to be a non-fiction graphic novel, but is creating a graphic novel based off a true story even allowed? Maybe you thought graphic novels were meant to be fiction. Well, I think the form of a graphic novel should not be restricted to only fiction. It is known for graphic novels to be fiction rather than non-fiction because that is what a novel is, fiction, but the name shouldn’t be a limitation of what can and cannot be told though this medium. There are many reasons for why telling a non-fiction story through the form of a graphic novel is beneficial. Spiegelman was able to share the story of his father’s holocaust experience by creating a graphic novel of it, and from the looks of it, it’s been very successful. Telling a story through the form of a graphic novel allows the creator to deliver it in a unique way. We are able to understand the plot because of the language that is used along with the accompanying panels. In Maus , Spiegelman writes e...

Walking Through Fire: "Sita's Ramayana"

Ramayana stands among India's oldest epic poems, one of the two surviving stories dating as far back as the seventh century B.C. Unfortunately, its protagonist has not stood the test of time. The poem tells the story of Rama, an exiled prince whose wife, Sita, chooses to accompany him despite not facing the same punishment. When Sita is kidnapped, Rama rescues her more out of a sense of obligation than love, ultimately questioning his wife's virtue and casting her away through no fault of her own. Rama is upheld as the ideal man, husband, and king throughout his tale. Samhita Arni, the author of Sita's Ramayana , clearly thinks otherwise. Sita's Ramayana , as one might suspect, is a graphic novel retelling of the epic poem shared from Sita's point of view. The original poem leaves little room for the exploration of her character, treating her more as a blank slate meant to represent the ideal wife of the time. She merely exists to shape her husband's characte...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...