Skip to main content

Fighting for Freedom: What V for Vendetta and Greta Thunberg Have in Common

My AP English 3 students today debated on if starting a riot would create change or if it would simply distract. They mentioned they feel helpless. Nothing they do will change anything. As they talked, I couldn't help but think of V for Vendetta, a popular graphic novel that several of my students are currently reading. It follows the story's protagonist, an anarchist in a Guy Fawkes mask named V. They try to bring down the fascist state they live in in order to convince those around him to abandon fascism in favor of anarchy.

We were discussing Greta Thunberg's speech at the UN Climate Summit, and my students did not understand why she was speaking until someone brought up that it's not so much her that matters but the message she's delivering and the symbol's she's become. She is the face of future generations suffering from climate change. When my student said that, I was reminded of when V dies and Evey takes their place without unmasking them. She simply sits silently in front of a mirror and smiles. At that moment, she becomes the symbol of freedom that V was. Right now, Greta is a symbol of freedom, freedom from pollution, freedom from the old days, freedom from corruption, so forth and so on. 

The moment has always stuck in my head because Moore and Lloyd, the respective writer and artist behind the novel, did so without any speech. They utilize what graphic novel scholar Scott McCloud calls moment-to-moment panels. We see Evey take slow steps, sit down in front of a mirror, and smile. The novel doesn't show Evey putting on V's mask. It only shows her smiling, and we as readers rely on our own closure to realize what she has done. On this entire page, there are no speech or real major action-to-action panels. It is all just these slow, small movements. 

V for Vendetta has long been hailed for its themes of freedom and rebellion. The fight that V and others go through to regain their freedom is a near-impossible one. The graphic novel encourages those who read to pursue their own freedom and to rebel. It questions what we consider freedom and how we take that freedom for granted.  It is one strife with struggle and death. While Greta and my students' is not yet at that point, it has the possibility of becoming so if carbon emissions continue to rise. Greta's speech had little to do with freedom, but my students' took it as an example of freedom.

One student, in particular, called out the rest of the students saying they have a voice and have to learn how to use it. She wants them to use theirs. At that moment, I saw my student taking on Greta's face and building upon it just as Evey took V's mask and continued his work. It was a parallel moment to Lloyd's panels, this slow but also sudden transition. While I hope my student doesn't go blow up Big Ben, I do hope she starts making changes and starts pushing for her own freedom.


Comments

Popular posts from this blog

Analysis of Aya: Life in Yop City

To begin this week's post, I'd like to first address a few things about the author's duty to his/her readers. When we think of reading material from other countries or cultures, what factors are important to us? What information do we need in order to recognize the significance of the author's work? For me, it's important for the author to find some way to connect to me as a reader. Do we share a common experience? Can I relate your story to mine? This is not to say that a writer's work is rendered unimpressive if they choose not to do this. But I do think it goes without saying that most impressionable works hit us emotionally. I also think that an author should be conscious of the world that they are painting for the reader. Is it true what you're writing? Does it provide some sort of insight into the world as you see it? Are you confirming outside opinions of your culture, or are you breaking the stereotypes that have been placed upon you? That being sai...

Junji Ito and the Art of the Uncanny

As discussed in Chapter 2 of Scott McCloud's Understanding Comics , the Japanese style of comic book art holds several notable quirks. While early manga artists tended to favor simplistic, yet distinct styles that paved the way for a number of internationally renowned characters, contemporary manga artists have since favored a hybrid style that juxtaposes the cutesy, rounded characters of yesteryear with the realistic and richly shaded settings that have since become popular. Building on this, McCloud describes a phenomenon in which Japanese comic artists have used realism to objectify--that is, to emphasize the "otherness" of certain characters, objects, or places--elements of their work and further separate these elements from the reader. I have chosen the work of one of my favorite comic artists, Japanese horror icon Junji Ito, to further illustrate McCloud's point. Though McCloud describes this phenomenon in the context of Japanese comic book art, he is usi...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...