Skip to main content

Week One Blog


I Know this is late but, better late than NEVER! I still wanted to participate and I NEEDED to participate :)
I will start off by saying that I have never read a comic book, besides captain underpants, other than that this was the first time. Scott McCloud’s Understanding Comics was exactly what I needed! This book really helped me understand the basic concepts of comics and how I can use more of my imagination to allow the story to come to life. McCloud stated that comics are “juxtaposed sequential visual art”. At first I wasn’t quite sure what it meant or how to interpret it, reading further into chapter two it was a better explanation. Being that I am a visual learner anything with pictures allows me to understand by putting myself in the story, like becoming the character.
In chapter Two of Understanding Comics, the first few pages start off, in my opinion, trying to trick my brain, so I thought. This chapter helps explain why some of the icons; any images used to represent a person or thing or idea (pg. 27), where so simplified and why some are extremely realistic. McCloud gave the visual example of the face and how our brain will make “us” out of anything, which is so true! No matter what the image is or how It’s supposed to be presented, our brains will interpreter it however it sees fit, this is why him using the face as an example to explain it then he goes into how different forms of art for comic book are used. McCloud used the word “abstract” for drawings and paints with these features. It’s like, the more realistic the comic book the less your brain will interpret simple because it’s more detailed. The simpler (abstract) the story line, the more you use your imagination.
This Panel from the first series of X Men, looking at this one panel you can see the abstract style of drawing in the painting. This doesn’t take away from the story but it adds to it so that your brain doesn’t interpret the wrong concepts the story is giving.

McCloud, Scott. The Invisible Art Understanding Comics. HarperCollins Publishers, 1994.

Comments

Popular posts from this blog

Analysis of Aya: Life in Yop City

To begin this week's post, I'd like to first address a few things about the author's duty to his/her readers. When we think of reading material from other countries or cultures, what factors are important to us? What information do we need in order to recognize the significance of the author's work? For me, it's important for the author to find some way to connect to me as a reader. Do we share a common experience? Can I relate your story to mine? This is not to say that a writer's work is rendered unimpressive if they choose not to do this. But I do think it goes without saying that most impressionable works hit us emotionally. I also think that an author should be conscious of the world that they are painting for the reader. Is it true what you're writing? Does it provide some sort of insight into the world as you see it? Are you confirming outside opinions of your culture, or are you breaking the stereotypes that have been placed upon you? That being sai...

Bringing Africa into the Fold

The comic Aya: Life in Yop City does a fantastic job of illustrating a culture different from the more popular Western variety. For those reading this, have you ever considered Africa in any way that was not influenced by main stream media? No? Well me either. It is sad to say, but my view of Africa was just - more or less - a vast land of chaos and poverty. Why? Because is that not what the media would have us believe? As a western country ourselves - presuming, of course, that you are reading this from the US or some European country - we do not consider other nations to have much value in comparison to our own. Because we have created a Eurocentric view of what society should be, we have disallowed other countries to feel that their own culture is worth portraying in novels or media. For example, most people are lead to believe that Africa is riddled with disease, famine, and "uneducated" people who are in dire need of help. This just isn't true! There are places ...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...