Amidst the Anarchy and Pure Rebellion

V for Vendetta. What does the man behind the mask stand for? It is quite clear that his intentions are to bring to light the government's utter control of its people and manipulation of power. But what exactly is it that he aims to accomplish? Is it revenge? To bring chaos? Glory? For me, V's greatest lesson to teach us is to stand against corruption. Generally we see mutiny as as a bad thing, but what if, for once, it provided the exact medium to change the world we live in? V for Vendetta is about freedom and having basic human rights. How does V accomplish this? By creating mayhem in a world that teaches structure. From the story line to the artistry, V for Vendetta expresses a need for change. Although it seems V is not entirely successful in his endeavors, it raises the need for freedom to express oneself, and more importantly, educate on why personal freedom is an essential human right. Chaos, without some sort of control, will always remain to be chaos. This is true as we see V complete his mission in shutting the government down, only to cause riots among the people who refuse to see the chains they are undeniably in. An interesting way we see this theme unfold is in the creative technique displayed in each panel. Throughout the novel, it is clear that the artist's focus was using an array of colors to create vivid, loud panels that cause the eye to move all over the page. These busy pictures contribute to the idea that this world that Moore has created is hectic and in need of order. Reading it for myself was difficult since my eyes didn't truly know what to focus on. I believe that the bright coloring is meant to say, "Hey! Look at me!" so that we pay attention to the true crimes that occur throughout the story. Each panel is so intensely designed. This remains true from beginning to end in V for Vendetta, which further establishes the story's need for some type of stabilization.

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Iconic Abstraction and the Vocabulary of Comics in Hellboy

In Chapter 2 of Understanding Comics , McCloud talks about two key concepts I’d like to discuss: he identifies reality , language , and the picture plane as a representation of the pictorial vocabulary of comics, and he expresses a scale for iconic abstraction of comic art. As readers following the action in comics, we are guided by what objects and events cartoonists decide demand focus in each individual moment or panel. This focus via simplification of reality - referred to as abstraction - provides a rhythm of reading the visual representation of a sequence of events, controlling the timing of action and dialogue through spacing of panels and objects on a page. McCloud makes it clear that abstraction in comics is really just about the representation of ideas . Conceptually, we can perceive a specific drawn event, such as an explosion or a fight, without that event being pictured exactly or photorealistically. Rubble or glass flying midair can represent the impact of fights depi...

Our world: Anyone can make a change

Are you a social activist? Do you do your part to make the world a better place? Even small acts can make a difference. First, I’d like to point out that a social activist is someone that takes a stand, someone who campaigns for a social change, an advocate that stands for what is right, it is someone who promotes environmental, social, political, and economic reforms to make that change in society. Now that I have defined it, let me explain some acts of social activism. Volunteering at any local shelters, whether it be for babies, kids, adults, and even to help to care for animals, your time makes a difference. You’d be amazed at how rewarding it is for yourself, as well as giving than receiving will make a whole positive change to your persona. Another example of social activism is going green. Recycling papers, boxes, and plastics, makes a whole positive change into saving our earth, as well as saving the ocean alongside the animal’s habitats, and stopping global warming. ...

Is Maus a Non-Fiction Graphic Novel?

Art Spiegelman’s Maus is considered to be a non-fiction graphic novel, but is creating a graphic novel based off a true story even allowed? Maybe you thought graphic novels were meant to be fiction. Well, I think the form of a graphic novel should not be restricted to only fiction. It is known for graphic novels to be fiction rather than non-fiction because that is what a novel is, fiction, but the name shouldn’t be a limitation of what can and cannot be told though this medium. There are many reasons for why telling a non-fiction story through the form of a graphic novel is beneficial. Spiegelman was able to share the story of his father’s holocaust experience by creating a graphic novel of it, and from the looks of it, it’s been very successful. Telling a story through the form of a graphic novel allows the creator to deliver it in a unique way. We are able to understand the plot because of the language that is used along with the accompanying panels. In Maus , Spiegelman writes e...

ENG 4433: Topics in World Lit

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