Skip to main content

What are we fighting for?

Do you remember where you were on September 11, 2001? If you ask someone this question, and they are over a certain age they can rattle off to you where they were, what they were doing and how old they were. For example, I was 11 years old and in my 6th grade orchestra class when the World Trade Center was attacked. Did I know or understand what was going on? Not really, but not many people did

Satrapi, Marjane. Persepolis. Paris, France, 2003.

I was around the same age as the author of Persepolis when 9/11 happened. This graphic novel focuses around the author of the graphic novel Marjane Satrapi and her family during the Islamic Revolution. Marji’s actions and feelings early on in the novel concerning the revolution really struck me as familiar. She thought she understood what was happening, and wanted to be apart of the demonstrations, but at the same time she didn’t know the whole situation. How her parents explained things to her was also familiar, since after 9/11 I myself had lots of questions about what was going on because I didn’t understand what was happening. It was familiar because my parents were like Marji’s parents where they didn’t want to lie to us about what was happening in the country at the time, but they also didn’t want to scare us. In Marji’s case since the revolution was so violent and could not be easily explained to a 10-year-old they had to walk a very fine line when it came down to what they did and didn’t share. 


To borrow an idea from another class I’m taking, just because something was written in another country or another time period that doesn’t mean that you can’t find similarities somewhere. Cultures may be different, but the way that people respond emotionally usually doesn’t. This was something I had to remind myself of though, especially when reading the part about Marji’s mother being photographed during one of the demonstrations and then having to hide her face when it was printed in an Iranian magazine. In America if someone had been photographed at a demonstration it would be all over the media, and social media if it is 2019. In our culture that woman would have been hailed and exalted for standing up for what she believed in (by most people, because there is always one) but that is American culture. In Iranian culture the women didn’t and don’t have those type of rights.

If someone feels passionately enough about something, they’re going to want to fight for what they believe in. Sometimes the question needs to be asked though what are you fighting for or against? Satrapi shows this to readers in Persepolis and also shows how different cultures deal with hardships, these hardships are dealt with in similar and different ways. As I said, cultures may be different, but people’s emotional response is usually pretty similar.

Comments

Popular posts from this blog

Analysis of Aya: Life in Yop City

To begin this week's post, I'd like to first address a few things about the author's duty to his/her readers. When we think of reading material from other countries or cultures, what factors are important to us? What information do we need in order to recognize the significance of the author's work? For me, it's important for the author to find some way to connect to me as a reader. Do we share a common experience? Can I relate your story to mine? This is not to say that a writer's work is rendered unimpressive if they choose not to do this. But I do think it goes without saying that most impressionable works hit us emotionally. I also think that an author should be conscious of the world that they are painting for the reader. Is it true what you're writing? Does it provide some sort of insight into the world as you see it? Are you confirming outside opinions of your culture, or are you breaking the stereotypes that have been placed upon you? That being sai...

Bringing Africa into the Fold

The comic Aya: Life in Yop City does a fantastic job of illustrating a culture different from the more popular Western variety. For those reading this, have you ever considered Africa in any way that was not influenced by main stream media? No? Well me either. It is sad to say, but my view of Africa was just - more or less - a vast land of chaos and poverty. Why? Because is that not what the media would have us believe? As a western country ourselves - presuming, of course, that you are reading this from the US or some European country - we do not consider other nations to have much value in comparison to our own. Because we have created a Eurocentric view of what society should be, we have disallowed other countries to feel that their own culture is worth portraying in novels or media. For example, most people are lead to believe that Africa is riddled with disease, famine, and "uneducated" people who are in dire need of help. This just isn't true! There are places ...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...