Skip to main content

It's All New

Most of us have heard about North Korea, correct? I’ve heard about this country since middle school, but if I’m being quite honest, I don’t know much about it, and I’m not the type to assume things based off rumors or stereotypes, so reading Guy Delisle’s Pyongyang: A Journey in North Korea really gave me an insight on what this country is like.

Delisle, Guy, and Helge Dascher. Pyongyang: a Journey in North Korea. Drawn & Quarterly Books, 2018. 


Pyongyang is the type of graphic novel we as readers rely on both the art and the text because we are learning about a country completely different from our own. One page before the one above, we are told about the importance of Kim Il-sung but are then shown on page 8. If we take a look, there are two panels that have no words whatsoever, so we rely on the previous written information. The two wordless panels emphasize Kim Il-sung’s significance. The people are looking up at it and are even leaving it flowers, so we get the sense that this statue must mean a lot to the people of North Korea. Both the words and the images work together and rely on each other to deliver the full message. Delisle takes us along on his journey in North Korea. We discover a new world together. It is clear that this story is directed to people who are new to the country.



Delisle, Guy, and Helge Dascher. Pyongyang: a Journey in North Korea. Drawn & Quarterly Books, 2018.

Now, when learning about a new country, especially one that is so different from ours, it is important to visually see what it is like. This new country can be described to us with words only, but we would have to rely heavily on our imagination. Wait a second. How can we imagine something we’ve never even seen? That’s difficult to do, so it is best to use images. On page 32, we are told about the Pyongyang Subway, one of the nation’s prides. Delisle’s work is very detailed here, perhaps more than other panels. The amount of detail emphasizes how North Koreans feel about this particular area, but of course, we would not be able to fully understand what the location is about without being guided with words.

We can see how Delisle uses aspect-to-aspect transitions.There is so much that we need to take in as learners, so that is the best way to show us as much as possible. The whole page sticks to one topic like the statue of Kim Il-sung and the Pyongyang Subway, but we get to see a lot of different details regarding them because of the aspect-to-aspect transitions, and that really helps us understand this new country much better.

Delisle informs us about North Korea in the form of graphic journalism. It isn't simply just another little story. The graphic novel form is great for reporting because, like I’ve mentioned before, it is a unique way of traveling through the event and experiencing it, but believe it or not, some might not consider this type of work journalism because it is easy to automatically assume it is more of a historical story, but it will just take some time to adjust to what this genre is about as it is also very new to me. But it's great! I'm into journalism and into learning new things, so I'm going to give this genre a chance and so should you!

Comments

Popular posts from this blog

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...

Our world: Anyone can make a change

Are you a social activist? Do you do your part to make the world a better place? Even small acts can make a difference. First, I’d like to point out that a social activist is someone that takes a stand, someone who campaigns for a social change, an advocate that stands for what is right, it is someone who promotes environmental, social, political, and economic reforms to make that change in society. Now that I have defined it, let me explain some acts of social activism. Volunteering at any local shelters, whether it be for babies, kids, adults, and even to help to care for animals, your time makes a difference. You’d be amazed at how rewarding it is for yourself, as well as giving than receiving will make a whole positive change to your persona. Another example of social activism is going green. Recycling papers, boxes, and plastics, makes a whole positive change into saving our earth, as well as saving the ocean alongside the animal’s habitats, and stopping global warming. ...

Iconic Abstraction and the Vocabulary of Comics in Hellboy

In Chapter 2 of Understanding Comics , McCloud talks about two key concepts I’d like to discuss: he identifies reality , language , and the picture plane as a representation of the pictorial vocabulary of comics, and he expresses a scale for iconic abstraction of comic art. As readers following the action in comics, we are guided by what objects and events cartoonists decide demand focus in each individual moment or panel. This focus via simplification of reality - referred to as abstraction - provides a rhythm of reading the visual representation of a sequence of events, controlling the timing of action and dialogue through spacing of panels and objects on a page. McCloud makes it clear that abstraction in comics is really just about the representation of ideas . Conceptually, we can perceive a specific drawn event, such as an explosion or a fight, without that event being pictured exactly or photorealistically. Rubble or glass flying midair can represent the impact of fights depi...