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A World Of Someone Else


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Junji Ito and the Art of the Uncanny

As discussed in Chapter 2 of Scott McCloud's Understanding Comics , the Japanese style of comic book art holds several notable quirks. While early manga artists tended to favor simplistic, yet distinct styles that paved the way for a number of internationally renowned characters, contemporary manga artists have since favored a hybrid style that juxtaposes the cutesy, rounded characters of yesteryear with the realistic and richly shaded settings that have since become popular. Building on this, McCloud describes a phenomenon in which Japanese comic artists have used realism to objectify--that is, to emphasize the "otherness" of certain characters, objects, or places--elements of their work and further separate these elements from the reader. I have chosen the work of one of my favorite comic artists, Japanese horror icon Junji Ito, to further illustrate McCloud's point. Though McCloud describes this phenomenon in the context of Japanese comic book art, he is usi...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...

Is Maus a Non-Fiction Graphic Novel?

Art Spiegelman’s Maus is considered to be a non-fiction graphic novel, but is creating a graphic novel based off a true story even allowed? Maybe you thought graphic novels were meant to be fiction. Well, I think the form of a graphic novel should not be restricted to only fiction. It is known for graphic novels to be fiction rather than non-fiction because that is what a novel is, fiction, but the name shouldn’t be a limitation of what can and cannot be told though this medium. There are many reasons for why telling a non-fiction story through the form of a graphic novel is beneficial. Spiegelman was able to share the story of his father’s holocaust experience by creating a graphic novel of it, and from the looks of it, it’s been very successful. Telling a story through the form of a graphic novel allows the creator to deliver it in a unique way. We are able to understand the plot because of the language that is used along with the accompanying panels. In Maus , Spiegelman writes e...