Skip to main content

When you trusted him...




Source: Chitrakar, Moyna. (2018). Sita's Ramayana. Print.

Introduction
One message that I found in Sita’s Ramayana was the message of trust. This message alone could be interpreted in different ways such as trust among each other or distrust due to actions. But before I get into talking about the message of trust, a quick summary of Sita’s Ramayana. The story of Ramayana which is a Hindu mythology tale is about “the saga of a heroic war” except that Sita’s Ramayana is from the perspective of Sita, the main character and the heroine of the tale (Arni 2018). In the tale, the readers see through her perspective of her experience during the war that her “husband” Rama was in against Ravana, the demon king. Although it does change from the present to the past, the graphic novel is focused around the Sita perspective of how the war had an after affect on her and her life. There are multiple messages in the graphic novel as it is even stated in the book how “it explores ideas of right vs wrong, compassion, loyalty, trust (,etc)” (Anri 2018, Book Cover). 
Message of Truth
The first time that the readers are introduced to the message of trust is when Sita is first going into the forest. At first, the forest was questioning who Sita was and why she was in the forest, leading to the thought that the forest did not trust her (Arni 2018, 9). Once Sita starts the tale of the war and the events that happened before the war and after, she had gained the trust of the forest, plants, flowers, and the animals living within. The next time that the message of trust comes up is towards the end of the tale as the war was over with and Sita went to Rama. Unlike being happy to see Sita, Rama had a distrust towards her and said that “Ravana must have touched you. I can’t take you back” (Arni 2018, 116). Sita thought that Rama had trust in her as she even left with him when he exiled at the beginning of the tale. She trusted that he was going to give them a new life, that he was going to come get her, and that they were going to be happy in the end. That idea collapse once Rama said that to her, and she literally was going to burn herself alive until the god of fire came and said “Sita’s purity burn more fiercely than any fire”. You would think this would stop the distrust between them, but it didn’t as Rama fell for the gossip towards his Queen and abandoned her in the forest. Towards the end of the graphic novel, when Rama sees that his sons were the ones who took him down and saw Sita again, he asked for forgiveness and told her to become his queen again. Unlike how she was at the end of the war, Sita had changed and lost her trust towards Rama. She even stated that “I have been doubted once, twice, and I do not care to be doubted again” (Anri 2018, 145). 

Source: Chitrakar, Moyna. (2018). Sita's Ramayana. Print.

Pictures and Text
The way that the graphic novel portrayed the message was mostly equal between the artwork and the text. The text was Sita’s telling the tale as the artwork did more of the telling of the tale. Especially in telling the message about truth, the use of text helped whenever Rama told Sita that she was freed and that he basically didn’t trust her anymore. If the text wasn’t there, readers could not really tell what Rama was telling her or what exactly was going on as some pages did not have any movement lines. To better explain how both the text and the artwork was used to convey the message, look towards Scott McCloud’s Understanding Comics. In McCloud’s book, he explains the different elements of graphic novels that some readers might not fully understand. In chapter six of the book, he talks about the combination of pictures and words from the history to even providing a chart of how we went from mostly pictures to just words. He even states how “words and pictures have great powers to tell stories” (McCloud 2015, 152). There are three categories in which could be used to talk about the combination of pictures and words, and Sita’s Ramayana actually uses the “duo-specific” which “both words and pictures send essentially the same message” (McCloud 2015, 153). Anri and Chitrakar used both the text and artwork to display the message of trust in the Hindu myth. This use of equal combination of the picture and text helps readers, especially readers who are not part of the Hindu religion or who have only read western graphic novel, to understand Sita’s perspective and the message of trust in Sita’s Ramayana.

Works Cited
Anri, Samhita and Chitrakar, Moyna. Sita’s Ramayana. Groundwood Books. 2018. 
McCloud, Scott. Understanding Comics: The Invisible Art. HarperCollins, 1993.

Comments

Popular posts from this blog

Iconic Abstraction and the Vocabulary of Comics in Hellboy

In Chapter 2 of Understanding Comics , McCloud talks about two key concepts I’d like to discuss: he identifies reality , language , and the picture plane as a representation of the pictorial vocabulary of comics, and he expresses a scale for iconic abstraction of comic art. As readers following the action in comics, we are guided by what objects and events cartoonists decide demand focus in each individual moment or panel. This focus via simplification of reality - referred to as abstraction - provides a rhythm of reading the visual representation of a sequence of events, controlling the timing of action and dialogue through spacing of panels and objects on a page. McCloud makes it clear that abstraction in comics is really just about the representation of ideas . Conceptually, we can perceive a specific drawn event, such as an explosion or a fight, without that event being pictured exactly or photorealistically. Rubble or glass flying midair can represent the impact of fights depi...

Our world: Anyone can make a change

Are you a social activist? Do you do your part to make the world a better place? Even small acts can make a difference. First, I’d like to point out that a social activist is someone that takes a stand, someone who campaigns for a social change, an advocate that stands for what is right, it is someone who promotes environmental, social, political, and economic reforms to make that change in society. Now that I have defined it, let me explain some acts of social activism. Volunteering at any local shelters, whether it be for babies, kids, adults, and even to help to care for animals, your time makes a difference. You’d be amazed at how rewarding it is for yourself, as well as giving than receiving will make a whole positive change to your persona. Another example of social activism is going green. Recycling papers, boxes, and plastics, makes a whole positive change into saving our earth, as well as saving the ocean alongside the animal’s habitats, and stopping global warming. ...

Is Maus a Non-Fiction Graphic Novel?

Art Spiegelman’s Maus is considered to be a non-fiction graphic novel, but is creating a graphic novel based off a true story even allowed? Maybe you thought graphic novels were meant to be fiction. Well, I think the form of a graphic novel should not be restricted to only fiction. It is known for graphic novels to be fiction rather than non-fiction because that is what a novel is, fiction, but the name shouldn’t be a limitation of what can and cannot be told though this medium. There are many reasons for why telling a non-fiction story through the form of a graphic novel is beneficial. Spiegelman was able to share the story of his father’s holocaust experience by creating a graphic novel of it, and from the looks of it, it’s been very successful. Telling a story through the form of a graphic novel allows the creator to deliver it in a unique way. We are able to understand the plot because of the language that is used along with the accompanying panels. In Maus , Spiegelman writes e...