Skip to main content

A Thousands Words..... and then some!

Hi GUYS!!! I KNOW I’VE BEEN SLACKING ABOUT UPLOADING videos and what not, but lately I’ve been having some technical issues and life has been CRAZY!


We are at the finish line you guys, we are almost done with the semester and Christmas time (Mt favorite part of the years besides my birthday). Today I am going to do a regular review (booooo, I know) without a video, just words and my opinion. With you already knowing how my voice sounds, you can read it in my to make it more interesting and help you understand it! Lets dig into thus weeks review!!!     

Sita's Ramayana


‘The Ramayana’ is an ancient comic that was composed during the 5th BCE about the Prince Rama of Ayodhya and the seventh avatar of Vishnu. Prince Rama was returning from a quest to save his to save his wife, Sita, from Ravana[1]. Ravana was a mythical multi-headed demon-king of Lanka in Hindu mythology. Ravana had ten heads with twenty arms, and could change into any form that he wished to. He was defined by evil with his many battles against Rama that he had always seemed to lose[2]. This story ‘Sista’s Ramayna’ seem to be a similar story from the point of view of Rama’s wife.

            Ravana’s wife was captured by “the demon King Ravana” that came to her as a thin and weak bodied Minstrel, beating a drum and asking if she would let him in and offer him something to eat. This was after Sita had been locked away by Lakshmana because he was ordered by Rama to stand guard. Rama had fled out into the forest to catch a deer that Rama had asked him to, not knowing that this deer was Maricha, the enchanted uncle of Surpanka princess of Lanka as stated on page seventeen. Surpanka wanted her uncle to avenge the insult of Lakshmana seizing his sword and cutting off her nose. She wanted them to kill Lakshmana, Rama and capture Sita.

In the end Sita was returned back to the forest by Rama. She stated “let me go take care of our children. Having gained a farther, they now lose a mother. You must be both to them!” knowing that she was to disappear and never be seen again, this scene was on page 149. This aligns with ‘Understanding Comics’ by Scott Mccloud because on page sixteen it talks about how “Hogart’s stories were first exhibited as a series of paintings” and the last few pages of ‘Sita’s Ramayana’ says that “Sita’s Ramayana was painted before it was written.” Sita Ramayana was adopted from Patua artist Moyna Chirtarkar’s “... scroll-version to the from of a fast-paced graphic narrative.” This also leaves the reader with an understanding of how in-depth art can really be. Pictures don’t always need words to tell stories and sometimes the perfect words can draw the perfect image.
Basu, Anindita. “Ramayana.” Ancient History Encyclopedia, Ancient History Encyclopedia, 30 Aug. 2019, https://www.ancient.eu/The_Ramayana/.





Cartwright, Mark. “Ravana.” Ancient History Encyclopedia, Ancient History Encyclopedia, 13 Apr. 2016, https://www.ancient.eu/Ravana/.
McCloud, Scott. The Invisible Art Understanding Comics. HarperCollins Publishers, 1994.




[1] "Ramayana - Ancient History Encyclopedia." 30 Aug. 2016, https://www.ancient.eu/The_Ramayana/. Accessed 24 Nov. 2019.
[2] "Ravana - Ancient History Encyclopedia." https://www.ancient.eu/Ravana/. Accessed 24 Nov. 2019.

Comments

Popular posts from this blog

Junji Ito and the Art of the Uncanny

As discussed in Chapter 2 of Scott McCloud's Understanding Comics , the Japanese style of comic book art holds several notable quirks. While early manga artists tended to favor simplistic, yet distinct styles that paved the way for a number of internationally renowned characters, contemporary manga artists have since favored a hybrid style that juxtaposes the cutesy, rounded characters of yesteryear with the realistic and richly shaded settings that have since become popular. Building on this, McCloud describes a phenomenon in which Japanese comic artists have used realism to objectify--that is, to emphasize the "otherness" of certain characters, objects, or places--elements of their work and further separate these elements from the reader. I have chosen the work of one of my favorite comic artists, Japanese horror icon Junji Ito, to further illustrate McCloud's point. Though McCloud describes this phenomenon in the context of Japanese comic book art, he is usi...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...

Maus: A New Type of Nonfiction

The first thing that comes to my mind when I think of the nonfiction genre is the biography. A thick book full of pages about the life of a specific individual. Barely any visual aids, if any, and a monotonous voice throughout that makes these great to fall asleep to. In summation, I had a very rigid and bland view on the nonfiction genre before reading Maus by Art Spiegelman . This graphic novel is so entertaining that it was hard for me to believe that it is nonfiction. I did not think that nonfiction books could be anything but a glamorized version of a textbook. However, Spiegelman was able to prove everyone that nonfiction was not such an inflexible genre, and could tell a story instead of simply informing.   He incorporated many other creative elements to make his story different from all the other Holocaust tales in existence. Firstly, by making the characters animals, he adds a somewhat otherworldly aspect to this retelling of his own father's experiences. I think t...