Skip to main content

Life on Main Street, Africa

Reading Life In Yop City made me feel nostalgic, happy, sad, and most of all hopeful. The story of Aya's misadventures could take place anywhere: people all over the world have love triangles, babies, hopes, and dreams for the future. What's interesting is that this takes place in a former French colony on the Ivory Coast. What's tragic is that this remembrance of Africa in the 1970's is long gone.


Marguerite Abouet's Aya lives an interesting life as a ninteen-year-old hoping to go to school. Her friends have different aspirations and dreams. One has a baby, one wants a wealthy boyfriend or husband. All live in the colorful, vibrant city of Yop. The colors jump off the page and the reader can feel the busy, noisy streets and hear the people talking and moving about. Reading this book was a feast for the senses. McCloud defines this method in Understanding Comics  as using " color as sensation, color as environment, color as color." (McCloud pp 191) Life in Yop City uses color to express the vibrancy and 'life' of the city. If there were no words, a powerful message about the fullness of life would still be conveyed. McCloud explains this as the ability of color to "take on a central role"( McCloup pp 190) and the way color can "express a dominant mood" and allow "whole scenes to be virtually about color" ( McCloud pp 190). Looking at the colorful panels reminds me of the comic frames that begin as a still, and morph into a live scene. This novel is so beautifully illustrated, by the author's French ex-husband, that I wonder how her memory of the setting was conveyed so expertly to someone outside of her experience.
page2

Reading this novel was a bittersweet experience. The normal, everyday events of Main Street in Yop City are explored. The characters are relatable and recognizable and could live on Main Street USA: People gossiping and playing cards while enjoying a beer. Rotary phones on doilies on occasional tables.Laundry drying in the midday sun. What struck me the most was the knowledge that this ordinary city, with ordinary people, is almost unrecognizable in large swaths of Africa today. It is because of this that the novel is so important. Without these glimpses into the ordinary lives of Africans, we wouldn't have any other reference than the war-torn, politically unstable Africa of today.

In many ways, this novel is more than just a novel of ordinary people doing ordinary things and living a sometimes unremarkable life. It also serves as an anthropological find: An African city on the Ivory Coast, unearthed, with normal people doing normal things just like anyone else in the world.

page3
page2

Abouet, M  Aya: Life in Yop City Gallimard, 2005

McCloud, S Understanding Comics: The Invisible Art Harper, 1993

Comments

Popular posts from this blog

Iconic Abstraction and the Vocabulary of Comics in Hellboy

In Chapter 2 of Understanding Comics , McCloud talks about two key concepts I’d like to discuss: he identifies reality , language , and the picture plane as a representation of the pictorial vocabulary of comics, and he expresses a scale for iconic abstraction of comic art. As readers following the action in comics, we are guided by what objects and events cartoonists decide demand focus in each individual moment or panel. This focus via simplification of reality - referred to as abstraction - provides a rhythm of reading the visual representation of a sequence of events, controlling the timing of action and dialogue through spacing of panels and objects on a page. McCloud makes it clear that abstraction in comics is really just about the representation of ideas . Conceptually, we can perceive a specific drawn event, such as an explosion or a fight, without that event being pictured exactly or photorealistically. Rubble or glass flying midair can represent the impact of fights depi...

Our world: Anyone can make a change

Are you a social activist? Do you do your part to make the world a better place? Even small acts can make a difference. First, I’d like to point out that a social activist is someone that takes a stand, someone who campaigns for a social change, an advocate that stands for what is right, it is someone who promotes environmental, social, political, and economic reforms to make that change in society. Now that I have defined it, let me explain some acts of social activism. Volunteering at any local shelters, whether it be for babies, kids, adults, and even to help to care for animals, your time makes a difference. You’d be amazed at how rewarding it is for yourself, as well as giving than receiving will make a whole positive change to your persona. Another example of social activism is going green. Recycling papers, boxes, and plastics, makes a whole positive change into saving our earth, as well as saving the ocean alongside the animal’s habitats, and stopping global warming. ...

Is Maus a Non-Fiction Graphic Novel?

Art Spiegelman’s Maus is considered to be a non-fiction graphic novel, but is creating a graphic novel based off a true story even allowed? Maybe you thought graphic novels were meant to be fiction. Well, I think the form of a graphic novel should not be restricted to only fiction. It is known for graphic novels to be fiction rather than non-fiction because that is what a novel is, fiction, but the name shouldn’t be a limitation of what can and cannot be told though this medium. There are many reasons for why telling a non-fiction story through the form of a graphic novel is beneficial. Spiegelman was able to share the story of his father’s holocaust experience by creating a graphic novel of it, and from the looks of it, it’s been very successful. Telling a story through the form of a graphic novel allows the creator to deliver it in a unique way. We are able to understand the plot because of the language that is used along with the accompanying panels. In Maus , Spiegelman writes e...