Skip to main content

Global Graphic Novel Takes on Global Warming

Something that I have noticed lately is this new wave of caring for the earth and the ecosystem. People like Bill Nye and Neil degrasse Tyson have been using their platforms to cry out for help on behalf of the earth. The younger generation has been using their voices too, creating protests and rallies to advocate for climate change. It makes sense to use a graphic novel to bring more awareness to the new generations, since they will soon be the ones making these decisions.

One of my favorite ways that the authors of As the World Burns do this is to have the animals speak for themselves. These animals are literally begging not to be tested on, not to be seen as disposable, not to use their homes as dumping grounds for toxic waste. It's one thing for an academic, scientific journal to discuss these issues at length, but it's something completely different when drawings (however crude) of these animals are begging for help. While I can make the argument that there are too many words on a single panel for my taste, it really captures the essence that there is so much to take in and try to change when it comes to our ecosystem and our eco-footprints. 


It's also something that is effecting everyone around the globe. This earth is the only one we have. This planet is the only one that can sustain us and we are slowly killing it. If we don't make a change, it doesn't matter what your nationality, skin tone, or religion is. We won't have a place to live and everyone will die. It's the sad truth, but this graphic novel was pushing for the tough love that may just make some people change. 

Comments

Popular posts from this blog

Analysis of Aya: Life in Yop City

To begin this week's post, I'd like to first address a few things about the author's duty to his/her readers. When we think of reading material from other countries or cultures, what factors are important to us? What information do we need in order to recognize the significance of the author's work? For me, it's important for the author to find some way to connect to me as a reader. Do we share a common experience? Can I relate your story to mine? This is not to say that a writer's work is rendered unimpressive if they choose not to do this. But I do think it goes without saying that most impressionable works hit us emotionally. I also think that an author should be conscious of the world that they are painting for the reader. Is it true what you're writing? Does it provide some sort of insight into the world as you see it? Are you confirming outside opinions of your culture, or are you breaking the stereotypes that have been placed upon you? That being sai...

Junji Ito and the Art of the Uncanny

As discussed in Chapter 2 of Scott McCloud's Understanding Comics , the Japanese style of comic book art holds several notable quirks. While early manga artists tended to favor simplistic, yet distinct styles that paved the way for a number of internationally renowned characters, contemporary manga artists have since favored a hybrid style that juxtaposes the cutesy, rounded characters of yesteryear with the realistic and richly shaded settings that have since become popular. Building on this, McCloud describes a phenomenon in which Japanese comic artists have used realism to objectify--that is, to emphasize the "otherness" of certain characters, objects, or places--elements of their work and further separate these elements from the reader. I have chosen the work of one of my favorite comic artists, Japanese horror icon Junji Ito, to further illustrate McCloud's point. Though McCloud describes this phenomenon in the context of Japanese comic book art, he is usi...

The Two Faces of Anarchy in V for Vendetta

As someone who has only seen the movie version of V for Vendetta once many years ago and have never read the graphic novel, I wasn’t exactly sure how similar or different the movie version would be to the graphic novel. I was in for a surprise when I discovered just how vastly different, they are from each other. With that being said, they do have some similarities when strictly looking at the motives of the characters. Let’s dive into those motives and how the author and illustrator of V for Vendetta achieved getting these motives across to their readers. In Scott McCloud’s chapter of Understanding Comics “ Blood in the Gutter ” we are presented with different panel – to – panel transitions, and an introduction to the term “gutter” as being the white space between the panels which is where the audience of reader “takes two separate images and transforms them into a single idea” (McCloud, 66). After finishing reading V for Vendetta , several themes or ideas that were most prevalent...